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Jay-z - Dead Presidents

“Dead Presidents” is a song by rapper Jay-Z off his debut album, Reasonable Doubt. The record was the second official single off the album after “Can’t Knock the Hustle”. The instrumental aspect of this song was taken from a sample of Lonnie Liston Smith’s “A Garden of Peace”. The song’s chorus uses a sample from the Q-Tip remix of “The World Is Yours” by Nas. The use of this sample is fairly notable in hip-hop history as both Nas and Jay-Z would later feud in 2001. Both rappers discussed the merit of the sampling in the song in individual “diss” records. Jay-Z (ringtones) references this argument in his song “Takeover” with the lines, “So yeah, I sampled your voice; you was usin’ it wrong/You made it a hot line; I made it a hot song.” This was a response to Nas rapping “You show off, I count dough off when you sample my voice” on an unofficial diss known as the “Stillmatic Freestyle” (not to be confused with the “Stillmatic” intro from the album of the same name.) The song would also officially end the feud between the two rappers, as Jay-Z and Nas performed the song at Jay-Z’s 2005 “I Declare War” concert. Ringtone

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Use Geto Boys My Mind Playing Tricks on Me as your Ringtone

Geto Boys - My Mind Playing Tricks on Me

The Geto Boys are a rap group from Houston, Texas, consisting of Scarface, Willie D and Bushwick Bill. They are known for ultra-violent lyrical content and socially conscious messages. Influenced by Run DMC and N.W.A., The Geto Boys earned noteriety for their lyrics dealing with violence, sex and death. Despite the explicit content of their songs, critic Alex Henderson argues that the group “comes across as much more heartfelt than the numerous gangsta rap … wannabes who jumped on the gangsta bandwagon in the early ’90s.”[1] The Geto Boys(ringtones) broke new ground with their soulful southern sound (perhaps a precursor to the Dirty South style), which was produced by people like Johnny C, Doug King, their DJ Ready Red, and later John Bido (producer) N.O. Joe and Mike Dean. Ringtone

Wu Tang Clan - 36 Chambers

Enter the Wu-Tang (36 Chambers) is the debut album of the East Coast hip hop collective the Wu-Tang Clan. It was released on November 9, 1993 by Loud Records and RCA. Many critics consider Enter The Wu-Tang to be one of the most significant albums of the 1990s and one of the greatest hip hop albums ever recorded. The distinctive sound of Enter the Wu-Tang created a blueprint for hardcore rap in the mid-1990s and helped return New York City hip hop to national prominence.[3] The Wu-Tang Clan’s debut “carve[d] out a piece of rap history” in an era known as the East Coast Renaissance. In 2003, Rolling Stone ranked it among the “500 Greatest Albums of All Time.” The group’s leader, RZA, produced the album with heavy, eerie beats, largely based on martial-arts movie clips and soul music samples. The unique sound of Enter the Wu-Tang became hugely influential in modern hip hop production. The album also marked the first appearance of a number of rappers—including Method Man, Ol’ Dirty Bastard and Raekwon—who would collectively go on to sell millions of solo records. The lyrics of Enter the Wu-Tang are explicit, humorous, and free-associative, and served as a template for many subsequent hip hop records.The Source declared that the first two singles from Enter the Wu-Tang, “Protect Ya Neck” and “C.R.E.A.M.,” are among the 100 Best Rap Singles yet released.

N.W.A - Straight Outta Compton

“The World’s Most Dangerous Group” N.W.A. released the groundbreaking Straight Outta Compton in 1988. Many considered it a wake-up call to the problems that were going on in the West, particularly in South Central Los Angeles. “Straight Outta Compton” reflected a rising anger in the city, “Fuck tha Police” talked of police violence, and “Gangsta Gangsta” spoke of gang life. The album has become best-known for these opening three songs, since the remainder are fairly lightweight in subject matter, mainly dealing with aspects of partying. Each member of N.W.A (ringtones) learned rap and production skills from the School Road Boys, who had met Dre in the 1980s and made significant contributions to the album by helping to co-produce it[citation needed]. Both Ice Cube and, to a lesser extent, MC Ren contributed lyrics, with Eazy-E providing comic relief within his rhymes. Producers Dr. Dre and Yella composed beats for each song, and Dre occasionally rapped on the album as well. Some of the lyrics were considered highly controversial, especially those of “Fuck Tha Police,” perhaps the group’s most notorious song. As a result of the lyrics, Milt Ahlerich, an assistant director of the FBI, sent a letter to Ruthless Records and its parent company Priority, advising the rappers that “[a]dvocating violence and assault is wrong and we in the law enforcement community take exception to such action.”[1] Policemen refused to provide security to the group’s concerts, hurting their plans to tour. The FBI’s letter only served to draw more publicity to the group. This was one of the albums which prompted the parental advisory label scheme. Yet, reflecting the change in attitudes over time, the parental advisory label then only displayed “WARNING MODERATE impact coarse language and/or themes”. Rolling Stone magazine recently placed it 144th on their list of the 500 Greatest Albums of All-Time. Ringtone

If R&B has been drifting lately, Konvicted proves Akon’s ready to take the wheel: His reedy voice encapsulates Jersey, Jamaica, and continents beyond (Africa, most notably); his wait-a-beat delivery enhances his high-flying hooks; and his attitude mulches thuggery and womanizing into something worth spreading around. If that’s not indication enough he’s on a roll, consider the accolades Konvicted is racking up–a Grammy nod for “Smack That” (featuring Eminem), a No. 1 single with “I Wanna Love You” (featuring Snoop Dogg), sales in the millions. To count Akon a musical groundbreaker, though, you have to be ready to embrace a new genre that might take Brian McKnight and Usher fans a little getting used to: hardcore R & B. Both “I Wanna Love You” and “Smack That” don’t shy away from raunch, and tracks like “Tired of Runnin’” and “Shake Down” bring on an MC edge that belongs more to the street than to the bedroom. Still, count on Akon to convince holdouts he’s worth hearing; both his message and his manner bear the marks of the unstoppable. –Tammy La Gorce

This is the LP that helped to usher in a new era of awareness in rap and put Paris on the hip-hop map. Hard and unrelenting, this debut is considered by many to be a classic in the politically-conscious rap genre. It yielded 2 top twenty singles - the politically charged “Break The Grip of Shame” and the title track. Black panther imagery and progressive thought abound here, with Paris combining ominous funk soundscapes with poignant, insightful rhymes. Check the lyrical fury of “Panther Power” and the brooding, focused anger of “Escape From Babylon”. From the waging of righteous warfare on the Yusef Hawkins tribute “The Hate That Hate Made,” which recalls a racial killing in Bensonhurst, NY, to “Warning” a brief, albeit explicit diatribe against police brutality, The Devil Made Me Do It is unrelenting in its pro-black, anti-establishment stance. Definitely food for thought in these troubled times.

Snoop Dogg - That’s That from the Lp Tha Blue Carpet Treatment

Tha Blue Carpet Treatment finds Snoop employing his usual impressive lineup of collaborators and strutting his way through a by-now standard litany of libidinous, gang-bangin’ boasts. But when your record is packed with this much veteran savvy and smooth flavor, the pride comes naturally. Snoop has been g-funky as hell for a long while, but “Crazy,” with its hypnotic keyboard loop and silky flow, is impressive even for him. It’s a trickle of light to counter the equally accomplished but darker “Vato,” a fever-dream street duet with Cypress Hill’s B Real. Traces of Doggystyle-era gangsta show up as well; the laconic flow of “Candy (Drippin’ Like Water)” for instance, featuring E-40 and MC Eiht, is as instantly appealing as anything on that seminal debut. It must be said that whatever Snoop Dogg releases at this point in his career competes with his overwhelming celebrity and cartoonish, pimp-maestro image, and that makes it hard to take him seriously. But here, even a too-obvious, potentially disastrous song like “I Wanna F*** You” manages not to be ridiculous. If that’s not the mark of a true star, I don’t know what is. –Matthew Cooke ringtones

Download Young Dro Ringtones to your Phone

UseYoung Dro Shoulder Leanas your new Ringtone

Young Dro Ringtones

“Shoulder Lean” is the first single by Young Dro (ringtones)off of his debut album Best Thang Smokin’. The song was produced by Lil C and features T.I.. It is also notable for its 420 tracklength, an overt marijuana reference. One notable lyric is “Lucky Charm diamonds man, but nah it ain’t Flip” a reference to Lil Flip, with whom T.I. was formerly feuding. The song has had Billboard top 10 success by reaching number 10 on the Billboard Hot 100. It reached number 1 in both the Hot Hip Hop/R&B songs, and the Billboard Rap Tracks. The single has a lot of success on the top 10 show 106 & Park on BET. It managed to make number 1 over a single day and remained on the countdown over 30 days. Digitally it has not reached a as much of a good spot in downloads where it made number 17 and kept slipping, this is the reason it did not climb higher on the Billboard Hot 100. Overall the song managed to get a lot of airplay as it made number 7 on the Hot 100 Airplay. It was performed alongside T.I. at the 2006 MTV Video Music Awards. MJG, Slim Thug, DJ Khaled, Diddy, and Parlae of Dem Franchize Boyz made cameo appearances in the video. The beginning of the video was inspired by Dr. Dre and Snoop Dogg Nuthin but a G Thing video intro. ringtone

Young Dro Ringtones

Download Lil Wayne Ringtones to your Phone

Leather So Soft

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Lil Wayne Ringtones Ringtones

“Leather So Soft” is the second single from Birdman & Lil Wayne’s album Like Father, Like Son. The single has peaked at 18 on the Bubbling Under Hot 100 chart. The video features Lil Wayne playing a guitar, as well as a deaf interpreter.

Lil Wayne Ringtones